*Dhurandhar and the Psychology of it:*
Vivek Vaibhav
Published Mar 20, 2026
No one would have ever imagined that just one movie would undo all the psychological conditioning that Bollywood and its masters have done in the past 100 years through their movies. One movie has rattled the whole ecosystem, and rightly so, because it took them a lot of their lifetimes to create such a psychological, emotional brainwashing for the whole country to believe in their carefully crafted lies, only to be destroyed in front of their eyes by just a movie.
I am talking about Islam and the Islamic agenda and propaganda that Bollywood is known to propagate through its movies. However, very ironically, they are calling Dhurandhar a propaganda movie. Their frustration is understandable because right from the beginning of Bollywood in British India, one community has always had a strong hold onto this craft. This movie business started in Lahore in an undivided India, later moved to Bombay after partition.
Lahore was Muslim-dominated, so they made movies which glorified Islam, its teachings, and its language, "Urdu", very freely. Though the business moved to India, the faces in front and behind the screen remained the same, but now there was a challenge. In the light of the gory partition that happened only and only because of the demands of Muslims in the name of Islam, it was now not easy to show them in a good light.
So here came the psychological and emotional brainwashing agenda of movies where they started putting Islam, its symbolisms, its mannerisms like language and tradition very subtly. They were so refined in their doing that people never realized that they were being abused directly and rather enjoyed and praised it.
Dhurandhar is being called out by Islamists for it being an anti-Islam and anti-Muslim film. But in reality, they are rattled because it's the first time a movie is made which is showing Islam and Muslims' true colors without shouting it out. It's equally subtle in saying what this community thinks without even telling it, and that is the exact reason why the whole community is shocked and up in arms.
They never cried foul when a movie showed Amitabh Bachchan not going to a Mandir despite being a Hindu, but keeping 786 close to his heart without any specific reason in the movie. Some random Rahim Chicha tells him that it's lucky and he keeps it, whereas in the whole movie his own mother keeps asking him to visit the temple, but he has issues with the God. In the movie it's established that he loves his mother too much and does things which he did only because of her, but still, he chose to listen to Rahim Chicha. Do you know the movie is Deewar and the writers were Salim-Javed? Another masterpiece of Salim-Javed was Sholay, where there was no electricity in the village of Ramgarh and only one Muslim character in the whole village, but there was a grand mosque there and Azaan happened on loudspeakers.
There is another example of the movie Chalte Chalte where no character is Muslim, neither the setup is Islamic, but one fine day when Raj (Shah Rukh Khan's character) marries Riya (Rani Mukherjee's character), after the wedding night he displays a locket. Upon asking what is it, he says it's Allah Mia, he finds peace in Him. You must have heard hundreds of songs calling out Kafirs... "*Main Kafir toh nahi*..." so many songs with the words Allah, Maula. They even tried justifying Muslims becoming terrorists in movies like Mission Kashmir and Haider, showing them as victims of the system.
Strangely enough, the gullible Hindus saw all this, heard all this, and never questioned anything. They believed everything as true and started sympathizing with a community which keeps an agenda of erasing them from the face of the earth. They have been successful thus far in Afghanistan, Pakistan, Bangladesh, Kashmir, and some other present states of modern India.
Hindus were slowly, subtly taught to think of Islam as a peaceful, romantic religion with smooth and velvety Urdu words. It always gave you "good Muslims" and made you sympathize with the "bad ones" based on circumstances. They made Hindus sympathize with their own murderers and rapists of their own women through these movies and songs. Hindus are so brainwashed that I have never heard two Muslims fight and say, "not all Hindus are Kafirs, some are good," but I have seen many Hindus fight amongst themselves to prove that not all Muslims are wrong.
They ran their propaganda to propagate soft, romantic Islam throughout the 80s and 70s, but by the 90s they stopped even pretending. They started to preach Islam directly through their movies in films like Khuda Gawah and Sanam Bewafa. They were emboldened by the success of their experiment.
Now times have changed; slowly people started calling out their agenda and also started making movies about it like The Kashmir Files. But it was in your face and not so subtle, so it carried the curse of being called a politically motivated movie. But here comes Dhurandhar and shatters all the previous carefully crafted and designed false narratives of an ecosystem, and that too without being political about it, but by just being a movie, an entertainer. Now the Hindus have learned the art of telling what is to be said without actually saying it.
In Dhurandhar, and especially Dhurandhar 2, many characters clearly say what Islam preaches and what they think of Hindus and their women. Major Iqbal (Arjun Rampal's character) shouts from the top of his voice that Muslims will do Ghazwa-e-Hind, rape Hindu women, and make them their slaves because in Islam Kafir women are called Maal-e-Ghanimat. Here the movie is not telling you anything about Islam, but the Pakistani Muslim character is revealing what he was taught in Islam. It also very subtly shows and pushes the cousin marriages and its detriment in Islam and Muslims within a passing dialogue and through a scene where Major Iqbal's mentally challenged daughter was shown.
Slowly and surely, people are waking up to the realities of Islam, and Dhurandhar is the inflection point of that. Now the consciousness of Hindus has been shaken up completely and they are made to wake up from their deep slumber of ignorance that they were put under by the ecosystem's subtle psychological and emotional brainwashing.
This is the first time Muslims are crying foul and Hindus are saying "it's just a movie, if you don't like it don't watch it," like how it was said to Hindus at the time of PK where Hindu gods were insulted. They are crying that their religion is being shown in a bad light, but they laughed and talked about Bhai-Chara, Mohhobbat, and Secularism when Hindu religion and their religious icons were robbed of dignity films after film. When they ran religious psy-ops on the whole community, they called it secularism. Now that they are getting the taste of their own medicine and in their own language, they are calling it hate and communalism.
It amazes me how, when the breaking point comes, even a movie can become the reason for the whole civilization—which has been sleeping over its dignity and lost its courage to fight—to awaken and stand up for it.
Dhurandhar will go as a timeless classic in the history which will be revered as a holy book for those who want to know Islam without converting to it or without reading the book sent directly by "You-Know-Who." From the civilizational awakening point of view, Dhurandhar literally symbolizes its dialogue: "*Ye naya Bharat hai, ye ghar mein ghusega bhi aur marega bhi.*"------
#Dhurandhar #IndianCinema #BollywoodNarrative #CivilizationalAwakening #Psychology
The author has indeed hit the nail on its head!
The naqab of _naqli bhaichara_ of Pakistan oriented flim-flam men have been torn into a thousand pieces!
Well done!!
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